| Body and Soul | |
|---|---|
Theatrical release poster |
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| Directed by | Oscar Micheaux |
| Produced by | Oscar Micheaux |
| Written by | Oscar Micheaux (novel and screenplay) |
| Starring | Paul Robeson Mercedes Gilbert Julia Theresa Russell |
| Distributed by | Micheaux Film Corporation |
| Release date(s) | November 9, 1925 |
| Running time | 102 minutes |
| Country | United States |
| Language | Silent film English intertitles |
Body and Soul is a 1925 race film produced, written, directed, and distributed by Oscar Micheaux and starring Paul Robeson in his motion picture debut.
Contents |
An escaped prisoner seeks refuge in the predominantly African American town of Tatesville, Georgia, by passing himself off as the Rt. Reverend Isaiah T. Jenkins. He is joined in town by a fellow criminal, and the pair scheme to swindle the phony reverend's congregation of their offerings. Jenkins falls in love with a young member of his congregation, Isabelle Perkins, even though she is in love with a poor young man named Sylvester, who happens to be Jenkins’ long-estranged twin brother. Jenkins steals money from Martha Jane, Isabelle's mother and convinces the young woman to take the blame for his crime. She flees to Atlanta and dies just as her mother locates her. Returning to Tatesville, Isabelle's mother confronts Jenkins in front of the congregation. Jenkins flees and during a twilight struggle he kills a man who tries to bring him to justice. The following morning, Martha Jane awakens and realizes the episode with Jenkins was only a dream. She provides Isabelle (who is not dead) and Sylvester with the funds to start a married life together.[1]
Paul Robeson made his film debut at the age of 27 in Body and Soul, playing the dual role of Jenkins and Sylvester. As part of the agreement to star in the film, Robeson received a $100 per week salary plus three percent of the gross after the first $40,000 in receipts.[2]
The original version of Body and Soul was a nine-reel production. When the filmmaker applied for an exhibition license from the Motion Picture Commission of the State of New York, it was denied approval on the grounds it would "tend to incite to crime" and was "immoral" and "sacrilegious". Micheaux was forced to re-edit the film twice before the commission approved the film, which was reduced from nine to five reels.[3] The surviving copy of Body and Soul is based on this edited version; Micheaux's director cut is considered a lost film.[4] Body and Soul is one of three surviving silent films created by Micheaux, who is credited with making 26 silent productions.[5]
Body and Soul was originally released to cinemas catering to an exclusive African American audience, and for many years the film was unknown to white moviegoers. In 2000, Body and Soul was presented at the New York Film Festival with a new musical score composed by trombonist Wycliffe Gordon and performed live by the Lincoln Center Jazz Orchestra.[6]
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